Raffaella Milanesi – soprano Collegium 1704 Václav Luks – conductor
Big orchestra: Ouverture Schauspieldirektor KV 486 Misera, dove son! KV 369 Balettmusik from Idomeneo KV 367 Recitativ and Aria Elettra „D'Oreste, d'Aiace…“ from Idomeneo KV 366 Ouverture Le nozze di Figaro KV 492 Bella mia fiamma, addio KV 528
Collegium 1704 strings: 6-6-4-3-2 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2 trompetes timpani, harpsichord
Small orchestra: Ouverture Mitridate, re di Ponto Per pietà, bell' idol mio KV 78 Sinfonia F dur Nr. 13 KV 112 Misera, dove son! KV 369 Se ardire, e speranza KV 82 Sinfonia A dur Nr. 29 KV 201 Bella mia fiamma, addio KV 528
Collegium 1704 strings: 5-4-3-2-1 2 flutes, 2 oboes, 2 bassoons, 2 French horns, harpsichord
Messiah (HWV 56) is an English-language oratorio composed by George Frideric Händel, and is one of the most popular works in the Western choral literature.
Collegium 1704 Collegium Vocale 1704 Soloists Václav Luks – conductor
Salomone ROSSI – The Songs of Salomon Ha-Shirim Asher li-Shelomo
Ha-li-Shelomo Shirim Asher (1623) Psalms and hymns for three and eight voices on Hebraic texts & instrumental piece from the collection of Sinfonie, Gagliardi, Canzone (1607/8)
The Mass in B minor BWV 232 (Missa solemnis toni Si minoris) is a musical setting of the complete Latin Mass which Bach composed for the Dresden court between years 1724–1749. The Mass was most probably never performed in totality during Bach's lifetime, and the work largely disappeared in the 18th century. Several performances in the early 19th century, however, sparked a revival both of the piece and the larger rediscovery of Bach's music. Today, it is widely hailed as a monumental work of the late Baroque and is frequently performed.
