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Jan Dismas ZELENKA – Responsoria & Miserere

Jan Dismas ZELENKA – Responsoria & Miserere

"Endlich habe ich die Freude, Dir die Responsoria des gesegneten Herrn Zelenka mit dem herzlichen Wunsch anbieten zu können, Bruder, dass Dir die Freude, die süßen Früchte dieses Mandelbaums kosten zu dürfen, gewährt wird."
(Johann Georg Pisendel in seinem Brief an Georg Philipp Telemann am 16. April 1749)

jan-dismas-zelenka-responsoria-miserere

Collegium Vocale 1704
Collegium 1704
Václav Luks – Dirigent

Programm:
Georg Philipp Telemann
Ouverture

 

Jan Dismas Zelenka

Responsoria pro hebdomada sancta ZWV 55
Responsorio « Omnes amici mei »
Responsorio « In monte Oliveti »
Responsorio « Jerusalem surge »
Responsorio « Vinea mea electa »

 

Antonio Vivaldi

Concerto per 2 Violini a-Moll z "L´Estro Armonico"

 

* * * * *

Jan Dismas Zelenka
Responsoria pro hebdomada sancta ZWV 55

Responsorio « Caligaverunt oculi mei »
Responsorio «Jerusalem, surge»
Responsorio «O vos omnes»
Responsorio «Sepulto Domino»

 

Jan Dismas Zelenka

Miserere c-Moll ZWV 57

 

 

Collegium Vocale 1704 | 2-2-2-2 (8 Sänger)
Collegium 1704 | 3-2-2-1-1, 2 ob, teorbe, organ (13 Musiker)

Václav Luks – Dirigent

Martina Janková // Johann Sebastian BACH – Cantatas for soprano and orchestra

Martina Janková // Johann Sebastian BACH – Cantatas for soprano and orchestra

Martina Janková – soprano
Collegium 1704, Collegium Vocale 1704
Václav Luks – conductor

martina-jankova-johann-sebastian-bach-kantaty-pro-sopran-a-orchestr

"Vereinigte Zwietracht der wechselnden Saite", BWV 207
Weichet nur, betrübte Schatten, BWV 202
"Unser Mund Est voll Lachens", BWV 110
Jauchzet Gott in allen Landen, BWV 51
Ich habe genug, BWV 82
Tönet ihr Pauken, erschallet Trompeten, BWV 214

Programme:

Johann Sebastian Bach:

"Vereinigte Zwietracht der wechselnden Saite", BWV 207
Weichet nur, betrübte Schatten, BWV 202
"Unser Mund Est voll Lachens", BWV 110
Jauchzet Gott in allen Landen, BWV 51
Ich habe genug, BWV 82
Tönet ihr Pauken, erschallet Trompeten, BWV 214

Collegium 1704
strings: 5 – 4 – 3 – 2 – 1
flute, 2 oboes, bassoon, harpsichord/positive organ

Martina Janková: Balmer & Dixon Management.
Raffaella Milanesi // Mozart – Bella mia fiamma, addio!

Raffaella Milanesi // Mozart – Bella mia fiamma, addio!

Misera, dove son! KV 369
Se ardire, e speranza KV 82
Per pietà, bell' idol mio KV 78
Bella mia fiamma, addio KV 528 aj.

raffaella-milanesi-mozart-bella-mia-fiamma-addio

Available for small and big orchestra

Raffaella Milanesi – soprano
Collegium 1704
Václav Luks – conductor

Big orchestra:
Ouverture Schauspieldirektor KV 486
Misera, dove son! KV 369
Balettmusik from Idomeneo KV 367
Recitativ and Aria Elettra „D'Oreste, d'Aiace…“ from Idomeneo KV 366
Ouverture Le nozze di Figaro KV 492
Bella mia fiamma, addio KV 528

Collegium 1704
strings: 6-6-4-3-2
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2 trompetes
timpani, harpsichord


Small orchestra:
Ouverture Mitridate, re di Ponto
Per pietà, bell' idol mio KV 78
Sinfonia F dur Nr. 13 KV 112
Misera, dove son! KV 369
Se ardire, e speranza KV 82
Sinfonia A dur Nr. 29 KV 201
Bella mia fiamma, addio KV 528

Collegium 1704
strings: 5-4-3-2-1
2 flutes, 2 oboes, 2 bassoons, 2 French horns, harpsichord

Johann Sebastian BACH – Oster Oratorium

Johann Sebastian BACH – Oster Oratorium

Johann Sebastian Bach (1685 – 1750)

Oster Oratorium BWV 249
Magnificat in D, BWV 243                


johann-sebastian-bach-oster-oratorium

Collegium 1704
Collegium Vocale 1704
Soloists SATB
Václav Luks – conductor

Collegium 1704
5 – 4 – 3 – 2 – 1
2 fl -  2 ob – fg – 2trp – timpani – orgue

Collegium Vocale 1704
5 – 4 – 4 – 4

soli : SATB
Johann Sebastian BACH – Saint John Passion

Johann Sebastian BACH – Saint John Passion

Johann Sebastian Bach (1685–1750)

Saint John Passion 
BWV 245



johann-sebastian-bach-saint-john-passion

Collegium 1704

Collegium Vocale 1704

Soloists
Václav Luks – conductor

Collegium 1704
strings: 5 – 4 – 3 – 2 – 1
2 flutes – 2 oboes – bassoon – organ – viola da gamba

Collegium Vocale 1704
16 singers

soloists SATB (members of the choir)

Evangelista
Georg Friedrich HÄNDEL – Messiah

Georg Friedrich HÄNDEL – Messiah

Georg Friedrich Händel (1685–1759)

Messiah HWV 56
oratorio


georg-friedrich-haendel-messiah

Messiah (HWV 56) is an English-language oratorio composed by George Frideric Händel, 
and is one of the most popular works in the Western choral literature.

Collegium 1704
Collegium Vocale 1704
Soloists
Václav Luks – conductor

Collegium 1704
strings: 5 – 4 – 3 – 2 – 1
2 oboes, bassoon, 2 trumpets
timpanio, harpsichord

Collegium Vocale 1704
16 singers SATB

Soloists SATB

Václav Luks – conductor
Salomone ROSSI – The Songs of Salomon Ha-Shirim Asher li-Shelomo

Salomone ROSSI – The Songs of Salomon Ha-Shirim Asher li-Shelomo

Ha-li-Shelomo Shirim Asher (1623)
Psalms and hymns for three and eight voices on Hebraic texts
&
instrumental piece from the collection of Sinfonie, Gagliardi, Canzone (1607/8)



salomone-rossi-the-songs-of-salomon-ha-shirim-asher-li-shelomo

Collegium 1704
Collegium Vocale 1704
Václav Luks – conductor

Collegium Vocale 1704
8 – 16 singers

Collegium 1704
2 violins, trumpet, dulcian, portatif organ, lute, harp, cello, contrabass

Václav Luks – conductor

Duration:
1 h 30 min.
Johann Sebastian BACH – Saint Matthew Passion

Johann Sebastian BACH – Saint Matthew Passion

Johann Sebastian Bach (1685–1750)

Saint Matthew Passion 
BWV 244 (1727)


johann-sebastian-bach-saint-matthew-passion

Collegium 1704
Collegium Vocale 1704

Soloists
Václav Luks – conductor

Collegium 1704

strings: 5 – 5 – 4 –  2 – 2
2 flutes, 3 oboes, 2 bassons, French horn, 3 trumpets, organ, timpani

Collegium Vocale 1704
20 singers

soloists SATB (members of the choir)

Evangelista

Duration: 2 h 45 min. without intermission

Johann Sebastian BACH – Mass in B Minor

Johann Sebastian BACH – Mass in B Minor

Johann Sebastian Bach 
(1685–1750)

Mass in B minor BWV 232


johann-sebastian-bach-mass-in-b-minor

The Mass in B minor BWV 232 (Missa solemnis toni Si minoris) is a musical setting of the complete Latin Mass which Bach composed for the Dresden court between years 1724–1749. The Mass was most probably never performed in totality during Bach's lifetime, and the work largely disappeared in the 18th century. Several performances in the early 19th century, however, sparked a revival both of the piece and the larger rediscovery of Bach's music. Today, it is widely hailed as a monumental work of the late Baroque and is frequently performed.

Collegium 1704
5 – 4 – 3 – 2 – 1
2 flutes – 3 oboes – 2 bassoons – horns
3 trumpets – timpani – organ

Collegium Vocale 1704
18 singers

soloists SATB

Václav Luks – conductor

Duration: 2 h
Johann Sebastian BACH – Magnificat in D major, Jan Dismas ZELENKA – Te Deum

Johann Sebastian BACH – Magnificat in D major, Jan Dismas ZELENKA – Te Deum

Johann Sebastian Bach(1685–1750)
Magnificat en Ré majeur BWV 243
Jan Dismas Zelenka (1679–1745)
Te Deum ZWV 146



johann-sebastian-bach-magnificat-in-d-major-jan-dismas-zelenka-te-deum

Collegium 1704
Collegium Vocale 1704
Václav Luks – conductor

Collegium 1704
strings: 6 - 5 - 4 - 3 - 2
4 trumpets, timpani, 2 flutes, 2 oboes, 2 bassons
Collegium Vocale 1704
24 ev. 16 singers SATB
soloists SATB (members of the choir)

Duration: 2 h
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Collegium 1704 o. p. s. Mánesova 813/4, 120 00 Prag 2, Tel: +420 246 052 456, E-mail: info@collegium1704.com