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Jan Dismas ZELENKA – Responsoria & Miserere

Jan Dismas ZELENKA – Responsoria & Miserere

"At last I have the pleasure of offering you Responsoria by the blessed Mr. Zelenka, with the sincere wish, brother, that you might be granted the delight of tasting the sweet fruits of this almond tree."
(Johann Georg Pisendel in his letter to Georg Philipp Telemann on 16 April 1749)

jan-dismas-zelenka-responsoria-miserere

Collegium Vocale 1704
Collegium 1704
Václav Luks – conductor

Programme:
Georg Philipp Telemann
Ouverture

 

Jan Dismas Zelenka

Responsoria pro hebdomada sancta (Responsoria pro Svatý týden) ZWV 55
Responsorio « Omnes amici mei »
Responsorio « In monte Oliveti »
Responsorio « Jerusalem surge »
Responsorio « Vinea mea electa »

 

Antonio Vivaldi

Concerto per 2 Violini a moll z "L´Estro Armonico"

 

* * * * *

Jan Dismas Zelenka
Responsoria pro hebdomada sancta (Responsoria pro Svatý týden) ZWV 55

Responsorio « Caligaverunt oculi mei »
Responsorio «Jerusalem, surge»
Responsorio «O vos omnes»
Responsorio «Sepulto Domino»

 

Jan Dismas Zelenka

Miserere c moll ZWV 57

 

 

Collegium Vocale 1704 | 2-2-2-2 (8 singers)
Collegium 1704 | 3-2-2-1-1, 2 ob, teorbe, organ (13 musicians)

Václav Luks – conductor

Martina Janková // Johann Sebastian BACH – Cantatas for soprano and orchestra

Martina Janková // Johann Sebastian BACH – Cantatas for soprano and orchestra

Martina Janková – soprano
Collegium 1704, Collegium Vocale 1704
Václav Luks – conductor

martina-jankova-johann-sebastian-bach-kantaty-pro-sopran-a-orchestr

"Vereinigte Zwietracht der wechselnden Saite", BWV 207
Weichet nur, betrübte Schatten, BWV 202
"Unser Mund Est voll Lachens", BWV 110
Jauchzet Gott in allen Landen, BWV 51
Ich habe genug, BWV 82
Tönet ihr Pauken, erschallet Trompeten, BWV 214

Programme:

Johann Sebastian Bach:

"Vereinigte Zwietracht der wechselnden Saite", BWV 207
Weichet nur, betrübte Schatten, BWV 202
"Unser Mund Est voll Lachens", BWV 110
Jauchzet Gott in allen Landen, BWV 51
Ich habe genug, BWV 82
Tönet ihr Pauken, erschallet Trompeten, BWV 214

Collegium 1704
strings: 5 – 4 – 3 – 2 – 1
flute, 2 oboes, bassoon, harpsichord/positive organ

Martina Janková: Balmer & Dixon Management.
Raffaella Milanesi // Mozart – Bella mia fiamma, addio!

Raffaella Milanesi // Mozart – Bella mia fiamma, addio!

Misera, dove son! KV 369
Se ardire, e speranza KV 82
Per pietà, bell' idol mio KV 78
Bella mia fiamma, addio KV 528 aj.

raffaella-milanesi-mozart-bella-mia-fiamma-addio

Available for small and big orchestra

Raffaella Milanesi – soprano
Collegium 1704
Václav Luks – conductor

Big orchestra:
Ouverture Schauspieldirektor KV 486
Misera, dove son! KV 369
Balettmusik from Idomeneo KV 367
Recitativ and Aria Elettra „D'Oreste, d'Aiace…“ from Idomeneo KV 366
Ouverture Le nozze di Figaro KV 492
Bella mia fiamma, addio KV 528

Collegium 1704
strings: 6-6-4-3-2
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2 trompetes
timpani, harpsichord


Small orchestra:
Ouverture Mitridate, re di Ponto
Per pietà, bell' idol mio KV 78
Sinfonia F dur Nr. 13 KV 112
Misera, dove son! KV 369
Se ardire, e speranza KV 82
Sinfonia A dur Nr. 29 KV 201
Bella mia fiamma, addio KV 528

Collegium 1704
strings: 5-4-3-2-1
2 flutes, 2 oboes, 2 bassoons, 2 French horns, harpsichord

Jan Dismas ZELENKA – Missa Omnium Sanctorum

Jan Dismas ZELENKA – Missa Omnium Sanctorum

Jan Dismas Zelenka (1679–1745)

Missa Omnium Sanctorum ZWV 21
(1741)


jan-dismas-zelenka-missa-omnium-sanctorum

From the six "Missae ultimae"
the last Zelenka's mass


Collegium 1704
Collegium Vocale, soloists from the choir
Václav Luks – conductor
 

Collegium 1704

5 – 4 – 3 – 2 – 1,

2 oboes, 2 bassoons, organ

(20 musicians)


Collegium Vocale 1704

SATB 5 – 4 – 4 – 4

(17 singers)

Johann Sebastian BACH – Oster Oratorium

Johann Sebastian BACH – Oster Oratorium

Johann Sebastian Bach (1685 – 1750)

Oster Oratorium BWV 249
Magnificat in D, BWV 243                


johann-sebastian-bach-oster-oratorium

Collegium 1704
Collegium Vocale 1704
Soloists SATB
Václav Luks – conductor

Collegium 1704
5 – 4 – 3 – 2 – 1
2 fl -  2 ob – fg – 2trp – timpani – orgue

Collegium Vocale 1704
5 – 4 – 4 – 4

soli : SATB
Johann Sebastian BACH – Saint John Passion

Johann Sebastian BACH – Saint John Passion

Johann Sebastian Bach (1685–1750)

Saint John Passion 
BWV 245



johann-sebastian-bach-saint-john-passion

Collegium 1704

Collegium Vocale 1704

Soloists
Václav Luks – conductor

Collegium 1704
strings: 5 – 4 – 3 – 2 – 1
2 flutes – 2 oboes – bassoon – organ – viola da gamba

Collegium Vocale 1704
16 singers

soloists SATB (members of the choir)

Evangelista
Georg Friedrich HÄNDEL – Messiah

Georg Friedrich HÄNDEL – Messiah

Georg Friedrich Händel (1685–1759)

Messiah HWV 56
oratorio


georg-friedrich-haendel-messiah

Messiah (HWV 56) is an English-language oratorio composed by George Frideric Händel, 
and is one of the most popular works in the Western choral literature.

Collegium 1704
Collegium Vocale 1704
Soloists
Václav Luks – conductor

Collegium 1704
strings: 5 – 4 – 3 – 2 – 1
2 oboes, bassoon, 2 trumpets
timpanio, harpsichord

Collegium Vocale 1704
16 singers SATB

Soloists SATB

Václav Luks – conductor
Salomone ROSSI – The Songs of Salomon Ha-Shirim Asher li-Shelomo

Salomone ROSSI – The Songs of Salomon Ha-Shirim Asher li-Shelomo

Ha-li-Shelomo Shirim Asher (1623)
Psalms and hymns for three and eight voices on Hebraic texts
&
instrumental piece from the collection of Sinfonie, Gagliardi, Canzone (1607/8)



salomone-rossi-the-songs-of-salomon-ha-shirim-asher-li-shelomo

Collegium 1704
Collegium Vocale 1704
Václav Luks – conductor

Collegium Vocale 1704
8 – 16 singers

Collegium 1704
2 violins, trumpet, dulcian, portatif organ, lute, harp, cello, contrabass

Václav Luks – conductor

Duration:
1 h 30 min.
Claudio MONTEVERDI – Vespro della Beata Vergine

Claudio MONTEVERDI – Vespro della Beata Vergine

Claudio Monteverdi
Vespro della Beata Vergine (1610)


claudio-monteverdi-vespro-della-beata-vergine

"Vespro della Beata Vergine da concerto, composta sopra canti fermi" (1610) are often regarded as the greatest Monteverdi's work ever. The Vespers is monumental in scale, and requires a choir large enough and skillful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece.

Collegium 1704
Collegium Vocale 1704
Václav Luks – conductor

Programme:
Claudio Monteverdi – Vespro della Beata Vergine (Vespers for the Blessed Virgin) (1610)
Deus in adjutorium meum intende
Dixit Dominus (psaume 109)
Nigra sum (motet)
Laudate pueri (psaume 112)
Pulchra es (motet)
Laetatus sum (psaume 121)
Duo seraphim (motet)
Nisi Dominus (psaume 126)
Audi coelum (motet)
Lauda Jerusalem (psaume 147)
Sancta Maria, ora pro nobis (sonata sopra)
Ave maris stella (hymne)
Magnificat

Collegium 1704
6 strings – 3 cornets – 3 trombones
2 lutes – harp – organ

Collegium Vocale 1704
S – A – T – B

Duration:
1 h 30 min.
Johann Sebastian BACH – Saint Matthew Passion

Johann Sebastian BACH – Saint Matthew Passion

Johann Sebastian Bach (1685–1750)

Saint Matthew Passion 
BWV 244 (1727)


johann-sebastian-bach-saint-matthew-passion

Collegium 1704
Collegium Vocale 1704

Soloists
Václav Luks – conductor

Collegium 1704

strings: 5 – 5 – 4 –  2 – 2
2 flutes, 3 oboes, 2 bassons, French horn, 3 trumpets, organ, timpani

Collegium Vocale 1704
20 singers

soloists SATB (members of the choir)

Evangelista

Duration: 2 h 45 min. without intermission

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Collegium 1704 o. p. s. Mánesova 813/4, 120 00 Praha 2 Tel: +420 246 052 456 E-mail: info@collegium1704.com