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Johann Sebastian BACH – The Sacred Cantatas

Johann Sebastian BACH – The Sacred Cantatas

Johann Sebastian Bach (1685–1750)
Cantata „Ich hatte viel Bekümmernis“ BWV 21
Ouverture č. 3 D dur BWV 1068
Cantata „Der Himmel lacht, die Erde jubilieret“ BWV 31



johann-sebastian-bach-the-sacred-cantatas

Collegium 1704
Collegium Vocale 1704
Václav Luks – conductor

Collegium 1704
strings: 5 – 4 – 3 – 2 – 1
4 oboes – basson – 3 trumpets – timpani – organ
Collegium Vocale 1704
16 sing
soloists SATB (members of the choir)

Duration: 2 h
Johann Sebastian BACH – Magnificat in D major, Jan Dismas ZELENKA – Te Deum

Johann Sebastian BACH – Magnificat in D major, Jan Dismas ZELENKA – Te Deum

Johann Sebastian Bach(1685–1750)
Magnificat en Ré majeur BWV 243
Jan Dismas Zelenka (1679–1745)
Te Deum ZWV 146



johann-sebastian-bach-magnificat-in-d-major-jan-dismas-zelenka-te-deum

Collegium 1704
Collegium Vocale 1704
Václav Luks – conductor

Collegium 1704
strings: 6 - 5 - 4 - 3 - 2
4 trumpets, timpani, 2 flutes, 2 oboes, 2 bassons
Collegium Vocale 1704
24 ev. 16 singers SATB
soloists SATB (members of the choir)

Duration: 2 h
Antonio CALDARA – Maddalena ai piedi di Cristo

Antonio CALDARA – Maddalena ai piedi di Cristo

Antonio Caldara (1670–1736)

Maddalena ai piedi di Cristo 
oratorio sepolcro, ca. 1700



antonio-caldara-maddalena-ai-piedi-di-cristo

Collegium 1704
Collegium Vocale 1704
Soloists
Václav Luks – conductor

Collegium 1704
strings: 6 – 5 – 4 – 3 – 2 (ev. 4 – 3 – 2 – 2 – 1)
theorba – harpsichord/organ

Roles:
Mary Magdalena – soprano
Martha – soprano
Amore terreno – alto
Amore celeste – alto
Cristo – tenor
Fariseo – bass

Václav Luks – conductor, harpsichord/organ

Duration: 2 h
Georg Friedrich HÄNDEL – La Resurrezione

Georg Friedrich HÄNDEL – La Resurrezione

Georg Friedrich Händel (1685–1759)
La Resurrezione HWV 47 
oratorio (1708)



georg-friedrich-haendel-la-resurrezione

La resurrezione (HWV 47) is a sacred oratorio by George Frideric Handel, set to a libretto by Carlo Sigismondo Capece (1652–1728). It was first performed on the Easter Sunday of 1708 at Rome. The work details the events between – and during – Good Friday and Easter Sunday.

Programme:

Georg Friedrich Händel: La Resurrezione HWV 47, oratorio (1708)


Collegium 1704
5 – 4 – 3 – 2 – 1
2 flutes – 2 oboes – bassoon
2 trumpets – theorba – organ – harpsichord

Collegium Vocale 1704
16 ev. 8 singers


Maddalena, Angelo – soprano
Cleofe – alto
San Giovanni – tenor
Lucifero – bass


Václav Luks – conductor, harpsichord

 

Duration: 2 h
Georg Friedrich HÄNDEL – Messiah

Georg Friedrich HÄNDEL – Messiah

Georg Friedrich Händel (1685–1759)

Messiah HWV 56
oratorio


georg-friedrich-haendel-messiah

Messiah (HWV 56) is an English-language oratorio composed by George Frideric Händel, 
and is one of the most popular works in the Western choral literature.

Collegium 1704
Collegium Vocale 1704
Soloists
Václav Luks – conductor

Collegium 1704
strings: 5 – 4 – 3 – 2 – 1
2 oboes, bassoon, 2 trumpets
timpanio, harpsichord

Collegium Vocale 1704
16 singers SATB

Soloists SATB

Václav Luks – conductor
Georg Friedrich HÄNDEL – Il Trionfo del Tempo e Desinganno / oratorio

Georg Friedrich HÄNDEL – Il Trionfo del Tempo e Desinganno / oratorio

Georg Friedrich Händel
Il Trionfo del Tempo e Desinganno (1708)
oratorio
 

georg-friedrich-haendel-il-trionfo-del-tempo-e-desinganno-oratorio

Soloists
Disinganno – alto
Piacere – soprano
Belezza – soprano
Tempo – tenor

Collegium 1704
Václav Luks – conductor

Collegium 1704

strings: 5 – 4 – 3 – 2 – 1

2 oboes/flutes, bassoon, theorbe, harpsichord/organ

Joseph HAYDN – Creation

Joseph HAYDN – Creation

Collegium 1704 & Dresdner Kammerchor

Joseph Haydn
Die Schöpfung Oratorium (Creation) Hob. XXI:2

joseph-haydn-creation-oratorio

Gabriel – soprano / Simona Saturova 
Uriel – tenor / Eric Stoklossa 
Raphaël – bass / Tobias Berndt 
Adam – bass / NN
Collegium 1704
Dresdner Kammerchor
Václav Luks – conductor

Collegium 1704
strings: 6 – 5 – 4 – 3 – 2
3 Fl, 2 Ob, 2 Cl, 2 Fg, ContraFg, 2 Cor, 2 Trp, 3 Trb,
Timp, Fortepiano/Clavecin
(39 musicians)

Dresdner Kammerchor
SATB (30 singers)
Claudio MONTEVERDI – Vespro della Beata Vergine

Claudio MONTEVERDI – Vespro della Beata Vergine

Claudio Monteverdi
Vespro della Beata Vergine (1610)


claudio-monteverdi-vespro-della-beata-vergine

"Vespro della Beata Vergine da concerto, composta sopra canti fermi" (1610) are often regarded as the greatest Monteverdi's work ever. The Vespers is monumental in scale, and requires a choir large enough and skillful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece.

Collegium 1704
Collegium Vocale 1704
Václav Luks – conductor

Programme:
Claudio Monteverdi – Vespro della Beata Vergine (Vespers for the Blessed Virgin) (1610)
Deus in adjutorium meum intende
Dixit Dominus (psaume 109)
Nigra sum (motet)
Laudate pueri (psaume 112)
Pulchra es (motet)
Laetatus sum (psaume 121)
Duo seraphim (motet)
Nisi Dominus (psaume 126)
Audi coelum (motet)
Lauda Jerusalem (psaume 147)
Sancta Maria, ora pro nobis (sonata sopra)
Ave maris stella (hymne)
Magnificat

Collegium 1704
6 strings – 3 cornets – 3 trombones
2 lutes – harp – organ

Collegium Vocale 1704
S – A – T – B

Duration:
1 h 30 min.
Wolfgang Amadeus MOZART — Requiem in d  K 626

Wolfgang Amadeus MOZART — Requiem in d K 626

The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death.


wolfgang-amadeus-mozart-requiem-in-d-k-626

It is one of the most enigmatic pieces of music ever composed, mostly because of the myths and controversies surrounding it, especially around how much of the piece was completed by Mozart before his death. The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed sketches of the Kyrie and the sequence Dies irae as far as the first nine bars of "Lacrimosa", and the vocal parts of the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus as his own.

Collegium Vocale 1704

4 - 4 - 4 - 4

 

soli: SATB


Collegium 1704
strings: 6-5-4-3-2

2 basset horn

2 bassoons

2 trumpets

3 trombones

timpani
organ

Václav Luks – conductor
Wolfgang Amadeus MOZART — Mass in C Minor KV 427

Wolfgang Amadeus MOZART — Mass in C Minor KV 427

Collegium 1704 & Dresdner Kammerchor

Wolfgang Amadeus Mozart – Mass in C Minor KV 427


wolfgang-amadeus-mozart-mass-in-c-minor-kv-427

Collegium 1704
Collegium Vocale 1704
Václav Luks – conductor

Collegium 1704
strings: 6 – 5 – 4 – 3 – 2
1 flute, 2 oboes, 2 bassoona, 2 French horns, 2 trumpets, 3 trombones, organ
(33 musicians)
 
Dresdner Kammerchor
SATB (30 singers)
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Collegium 1704 o. p. s. Mánesova 813/4, 120 00 Praha 2 Tel: +420 246 052 456 E-mail: info@collegium1704.com