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Jan Dismas ZELENKA – I Penitenti al Sepolchro del Redentore

Jan Dismas ZELENKA – I Penitenti al Sepolchro del Redentore

Jan Dismas Zelenka (1679–1745)

I Penitenti al Sepolchro del Redentore 
ZWV 63 (1736)


jan-dismas-zelenka-i-penitenti-al-sepolchro-del-redentore

Oratorio I Penitent al Sepolchro del Redentore was premiered on March 30th, 1736. As one of the later Zelenka's works, it contains unique musical language, similar to Missa Votiva ZWV 18 (1739), piece of the same period.

We can hardly find anyone among his contemporaries who took advantage of string orchestra in similar way. Typical characteristic of Zelenka's pieces of this period is his ambition to experiment and to define limits of "the conceivable".

Collegium 1704
5 – 4 – 3 – 2 – 1
2 flutes – 2 oboes – 2 bassoons – theorba 
harpsichord

Collegium Vocale 1704
16 or 8 singers

Pietro – bass
Maddalena – alto
Davidde - tenor

Václav Luks
conductor

Duration: 1 h 15 min
Jan Dismas ZELENKA – Missa Omnium Sanctorum

Jan Dismas ZELENKA – Missa Omnium Sanctorum

Jan Dismas Zelenka (1679–1745)

Missa Omnium Sanctorum ZWV 21
(1741)


jan-dismas-zelenka-missa-omnium-sanctorum

From the six "Missae ultimae"
the last Zelenka's mass


Collegium 1704
Collegium Vocale, soloists from the choir
Václav Luks – conductor
 

Collegium 1704

5 – 4 – 3 – 2 – 1,

2 oboes, 2 bassoons, organ

(20 musicians)


Collegium Vocale 1704

SATB 5 – 4 – 4 – 4

(17 singers)

Raffaella Milanesi // Mozart's Journey to Prague

Raffaella Milanesi // Mozart's Journey to Prague

Raffaella Milanesi – soprano
Collegium 1704, Václav Luks – conductor

W. A. Mozart , Josef Mysliveček

raffaella-milanesi-mozart-s-journey-to-prague

Josef Mysliveček (1737–1781)
Opera ouverture from Ezio (München 1777) 
Scene “Chi per pieta mi dice/Deh, parlate” from Abraham and Isaac oratorium

W. A. Mozart (1756–1791)
Ballet music from Idomeneo KV 367 (München 1781)
Concert aria „Misera, dove son!“ KV 369 (München 1781)
Symphony No. 38 in D major KV 504 „Prager“ (1786)
“Bella mia fiamma, addio“ KV 528 (dedicated to Josefina Dušková in Prague, 1787)

Collegium 1704
6-6-4-3-2, 2fl, 2ob, 2cl, 2fg, 2cor, 2trp
timpani, fortepiano 
(35 musicians)

Raffaella Milanesi // Mozart – Bella mia fiamma, addio!

Raffaella Milanesi // Mozart – Bella mia fiamma, addio!

Misera, dove son! KV 369
Se ardire, e speranza KV 82
Per pietà, bell' idol mio KV 78
Bella mia fiamma, addio KV 528 aj.

raffaella-milanesi-mozart-bella-mia-fiamma-addio

Available for small and big orchestra

Raffaella Milanesi – soprano
Collegium 1704
Václav Luks – conductor

Big orchestra:
Ouverture Schauspieldirektor KV 486
Misera, dove son! KV 369
Balettmusik from Idomeneo KV 367
Recitativ and Aria Elettra „D'Oreste, d'Aiace…“ from Idomeneo KV 366
Ouverture Le nozze di Figaro KV 492
Bella mia fiamma, addio KV 528

Collegium 1704
strings: 6-6-4-3-2
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2 trompetes
timpani, harpsichord


Small orchestra:
Ouverture Mitridate, re di Ponto
Per pietà, bell' idol mio KV 78
Sinfonia F dur Nr. 13 KV 112
Misera, dove son! KV 369
Se ardire, e speranza KV 82
Sinfonia A dur Nr. 29 KV 201
Bella mia fiamma, addio KV 528

Collegium 1704
strings: 5-4-3-2-1
2 flutes, 2 oboes, 2 bassoons, 2 French horns, harpsichord

Raffaella Milanesi // Händel – Italian Cantatas

Raffaella Milanesi // Händel – Italian Cantatas

Georg Friedrich Händel 
Italské kantáty


raffaella-milanesi-h-ndel-italske-kantaty

Ah! crudel, nel pianto mio HWV 78
Tra le fiamme HWV 170
Concerti grossi op. 3
Concerti grossi op. 3

Raffaella Milanesi – soprano
Collegium 1704
Václav Luks – conductor

Collegium 1704
strings: 4-3-2-2-1
2 traverso, 2 oboes, 1 bassoons,
viola da gamba, theorba, harpsichord
Martina Janková // Johann Sebastian BACH – Cantatas for soprano and orchestra

Martina Janková // Johann Sebastian BACH – Cantatas for soprano and orchestra

Martina Janková – soprano
Collegium 1704, Collegium Vocale 1704
Václav Luks – conductor

martina-jankova-johann-sebastian-bach-kantaty-pro-sopran-a-orchestr

"Vereinigte Zwietracht der wechselnden Saite", BWV 207
Weichet nur, betrübte Schatten, BWV 202
"Unser Mund Est voll Lachens", BWV 110
Jauchzet Gott in allen Landen, BWV 51
Ich habe genug, BWV 82
Tönet ihr Pauken, erschallet Trompeten, BWV 214

Programme:

Johann Sebastian Bach:

"Vereinigte Zwietracht der wechselnden Saite", BWV 207
Weichet nur, betrübte Schatten, BWV 202
"Unser Mund Est voll Lachens", BWV 110
Jauchzet Gott in allen Landen, BWV 51
Ich habe genug, BWV 82
Tönet ihr Pauken, erschallet Trompeten, BWV 214

Collegium 1704
strings: 5 – 4 – 3 – 2 – 1
flute, 2 oboes, bassoon, harpsichord/positive organ

Martina Janková: Balmer & Dixon Management.
Il Pianto di Maria

Il Pianto di Maria

Il Pianto di Maria
Collegium 1704
Collegium Vocale 1704
Václav Luks – conductor

il-pianto-di-maria

Jan Dismas Zelenka – Responsoria pro hebdomada sancta ZWV 55G. Fr. Händel / G. B. Ferrandini – Il Pianto di Maria „Giunta l´ora fatal“
Antonio Lotti – Crucifixus á 8
Georg Friedrich Händel – Concerto grosso  No. 5 op. 3 in d Minor
Jan Dismas Zelenka – Motet « Barbara dira effera » ZWV 164
Jan Dismas Zelenka – Miserere in c Minor ZWV 57


Programme:


Jan Dismas Zelenka 

Responsoria pro hebdomada sancta (Responsories for Holy Week) ZWV 55 / Responsories for Holy Thursday

Ecce, vidimus eum
Tristis est anima mea

 

Jan Dismas Zelenka 

Responsoria pro hebdomada sancta (Responsories for Holy Week) ZWV 55 / Responsories for Holy Friday

Caligaverunt oculi mei
Omnes amici mei

 

Jan Dismas Zelenka

 

Responsoria pro hebdomada sancta (Responsories for Holy Week) ZWV 55 / Responsories for Holy Saturday
Velum temple scissum est
Sepulto Domino


G. Fr. Händel / G. B. Ferrandini
Il Pianto di Maria „Giunta l´ora fatal“

 

Antonio Lotti

 Crucifixus á 8

 

Georg Friedrich Händel

Concerto grosso No. 5 op. 3 in d Minor
Grave
Allegro
Adagio
Allegro ma non troppo
Allegro

 

Jan Dismas Zelenka
Motette « Barbara dira effera » ZWV 164


Jan Dismas Zelenka

Miserere in c Minor ZWV 57
Miserere I
Miserere II     
Gloria Patri I
Gloria Patri II
Sicut erat
Miserere III

 

Collegium 1704

4 – 4 – 2 – 1 – 1

2 Ob, Fg, Org, Theorba

(17 pers.)

 

Collegium vocale 1704

 4 – 3 – 3 – 3

(13 pers.)

 

Solo: alto/mezzo-soprano

Orpheus Britannicus: Henry PURCELL et al.

Orpheus Britannicus: Henry PURCELL et al.

Works by Henry Purcell and his contemporaries 
from the Orpheus Britannicus collection (London, 1698)


orpheus-britannicus-henry-purcell-et-al

Collegium 1704
Markéta Cukrová – alto
Helena Zemanová – violin
Jana Chytilová – violin
Hana Fleková – viola da gamba
Jan Krejča – teorbe
Pablo Kornfeld – harpsichord, organ

Václav Luks – conductor 

Programme:


Sonata No. 6 in C major

(from Twelve Sonnata´s in three parts, London 1683)
[Adagio]
Canzona
Largo
Allegro

Henry Purcell
(1659 – 1695)

 

I´ll sail upon the Dogstar

Henry Purcell

 

Suite No. 2 in D minor and D major

(from  The broken Consort part II)
Pavan
Ayre
Galliard
Ayre
Saraband
[Conclusion]

Matthew Locke
(1621? – 1677)

 

Bess of Bedlam

Henry Purcell

 

Sonata No. 1 in A minor

(from Ten Sonnata´s in four parts, London 1696)
Adagio
Canzona (Allegro)
Largo
Vivace
Grave

Henry Purcell

 

Here the deities approve

Henry Purcell

 

*****

Suite in D major
Fantazia
Almaine
Galliard
Conclusion

William Lawes
(1602 – 1645)

 

Musick for a while

Henry Purcell

 

Suite No. 3 in C major

(from The broken Consort part I)
Pavan
Courante
Ayre
Saraband

Matthew Locke

 

Sonata No. 6 in G minor
(from Ten Sonnata´s in four parts, London 1696)
Adagio

Henry Purcell

 

Gentle shepherds
(An Elegy on the Death of Mr. John Playford)

Henry Purcell

 

Let the dreadful engines

Henry Purcell

 

(Orpheus Britannicus, London 1698)

Johann Sebastian BACH – Cantatas and motets

Johann Sebastian BACH – Cantatas and motets

Motet BWV 225 „Singet dem Herrn ein neuse Lied“ 
Motet BWV 229 „Komm, Jesu komm“
Cantata BWV 33 „Allein zu dir, Herr Jesu Christ“
Cantata BWV 103 „Ihr werdet alle heulen“.....





johann-sebastian-bach-cantatas-and-motets

Motet BWV 227 „Jesu meine Freude“

Collegium Vocale 1704 & soli
Collegium 1704
Václav Luks – conductor

Collegium Vocale 1704 & soli
SATB 4 – 4 – 4 – 4

Collegium 1704
4 – 3 – 2 – 1 – 1
2fl - 2 ob - fg - trp - organ
BACH & POULENC – Motets

BACH & POULENC – Motets

Johann Sebastian Bach (1685–1750)
Komm, Jesu komm BWV 229
Jesu, meine Freude BWV 227


bach-poulenc-motets

Francis Poulenc (1899–1963)
Quatre Motets – Pour Le Temps de Noël
O Magnum Mysterium – Quem vidistis pastores dicite 
Videntes stellam – Hodie Christus natus est

Johann Sebastian Bach
Singet dem Herrn ein neues Lied BWV 225

Collegium Vocale 1704
8 ev. 12 singers

Collegium 1704
cello, contrabass, organ

Václav Luks – conductor, organ

Duration:
1 h 15 min.
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